Barry McGee | TRANSFER Sao Paulo, Brasil

December 21 2010 . 09:20pm

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New Barry McGee book

November 11 2010 . 06:28pm

Barry McGee
Edited by Aaron Rose.
Published by Damiani

Barry McGee’s art buzzes with an infectious street vitality that celebrates the rich pageant of city living, while lambasting its ills, overstimulations, frustrations, addictions. His early years as a graffiti artist, tagging on the streets of San Francisco under such monikers as Ray Fong, Twist and Twisto, still nourish his drive to inscribe the blank face of modern life with the personal and the handmade. A part of the early 1990s art and graffiti boom associated with San Francisco’s Mission School (others include Clare Rojas, Chris Johanson and Aaron Noble) and with the Beautiful Loser generation, McGee synthesizes a wide range of resources, including the Mexican muralists, anonymous street art and San Francisco Beat poetry, all of which are notably characterized by a sense of public address that McGee never neglects to convey in his own work. His paintings, drawings and installations spill over with graphic energy and political anger, and direct exhortations to his audience to respond to the life around them. This hardcover artist’s book takes the form of a visual collage, incorporating photographs, drawings, paintings and documentation of past and present installations. It is the definitive volume on a much-loved artist.
Barry McGee was born in San Francisco in 1968 and studied at the San Francisco Art Institute. He continues to live and work in that city. He has had solo exhibitions at Brandeis University’s Rose Art Museum in Waltham, Massachusetts, Deitch Projects in New York and the Watari Museum of Contemporary Art in Tokyo.

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Barry McGee and friends on the news

June 24 2010 . 02:58am

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Barry McGee video | Oakland Museum of California

June 08 2010 . 05:10am

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10th Biennale de Lyon teaser video

September 14 2009 . 05:20pm

Biennale de Lyon

La Sucrière 
Museum of Contemporary Art Bullukian Foundation 
Bichat Warehouse
September 16, 2009 to January 3, 2010

We are living in the society of the spectacle. In spite of its alienating effects on our life and social relationships, it’s one of the very fundamental conditions of our existence. We perceive the world and communicate with each other through the spectacle – a system of image production and representation dominated by the logic of market capitalism which tends to “develop” our faculties of perception, imagination and reflection towards a “one dimensional model” formatted by the language of consumerist ideology. This is also the very contemporary condition of our self-identification and social order “guaranteed” by the established power system. As a main typology of artistic and cultural events of our time, biennials of contemporary art are no doubt an ultimate form of expression of such a tendency…

Find out more about the 10th Biennale de Lyon HERE

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