October 06 2006 . 03:44pm

Went down to SA Studios last night to check in with Estevan Oriol and Mr. Cartoon. Of course, like always their doing everything B.I.G. Estevan Oriol checking out

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September 29 2006 . 02:40pm


group show

opening reception
Saturday October 28, 2006
from 7 – 9pm

featuring works by

40 Mills Place
Pasadena, CA 91105

Every year, the Day of the Dead becomes more popular and influential, especially in the Los Angeles area. Unlike Halloween, the Day of the Dead does not avoid the subject of death through disguises and costumes, but it confronts it through direct interaction and thought-provoking laughter. Resurrecting positive memories of the deceased, The Day of the Dead (El Dia De Los Muertos) is a festive celebration rather than a mourning ceremony. This holiday, inspired by several distinct ancient Aztec cultures, was originally intended to commemorate and not antagonize the individual. As the holiday clashed with Christian and other Indigenous cultures it picked up new forms of expressions while losing some along the way.

The Day of the Dead is also an acknowledgement that death and birth are ultimately the same. Mendenhall Sobieski Gallery, brings together a diverse mix of young Latin artists that are producing contemporary work that deal with the subject matter in both a traditional and non-traditional manner. This "Day of the Dead" exhibition includes a range of multimedia talents. From artists where no introduction is necessary within the L.A. scene: Antonio Pelayo, hyper realist, Mister Cartoon, famed tattooist, Daniel Gonzalez, woodcut print master, Estevan Oriol, photographer, producer/director, Germs, painter, Joel Garcia, muertos maker, Melissa "Melly" Trochez, painter/muralist, The Street Phantom, Silhouette graff artist, and RETNA, graffiti artist/muralist/painter/designer.

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Iron Eye Gallery on LA Times

September 20 2006 . 09:41pm

Los Angeles Times, Thursday, April 14, 2005

Scruffy? Yes. Stuffy? No.

Diverse galleries and an edgy vibe give Downtown Art Walk a growing appeal.

By Liane Bonin, Special to The Times

It’s 8 o’clock on a Thursday night, and the Bert Green Fine Art gallery is quietly bustling as art aficionados soberly inspect the first L.A. showing of Valerie Jacobs’ politically charged paintings. A block away, a crowd of creative types nibbles on cheese and crackers at the 626 Gallery, where the vibrant work of African American artists Synthia St. James and Charles Bibb is on view. A little farther down the street, the Iron Eye Gallery has amped up the volume. The owners are holding a party, complete with a DJ and a cluster of twentysomething revelers. "I heard Drew Barrymore came last month," one guest yells over the music.

It could be any city’s art walk, with the same hipster crowd and hipper artwork, but this one has a little extra, shall we say, ambience. Situated in downtown L.A. and running since September, this monthly trek from gallery to gallery involves negotiating one’s way around some gritty streets. But with 19 galleries confirmed for today’s walk and the promise of viewing some interesting works, art lovers are willing to overlook some big city blight.

"It’s getting better," says Downtown Art Walk originator Bert Green, whose gallery sees upward of 200 people on most Art Walk days. "The businesses downtown like Pete’s Cafe are getting busier, so that’s making a difference. But when people call up and ask if it’s safe to come here, I tell them, look, anything can happen, but anything can happen anywhere. If you don’t feel safe, don’t come. But if you have a sense of adventure, come with an open mind."

If you’re willing to dodge a few panhandlers in your quest, the walk is a quick subway ride to Pershing Square. (Dedicated gas guzzlers can find inexpensive parking lots on the Art Walk map online.) Most of the stops are on Gallery Row: Main and Spring streets, between 2nd and 9th. Until this month, the walk included galleries east of San Pedro Street and south of Olympic Boulevard, but they are choosing to stay off the list until a rough plan kicks in to extend DASH bus hours on walk nights. Alas, even art can’t overcome a fundamental truth about Angelenos: Sure, we’ll walk, but not that far.

The artwork to be found during the March event covered a dizzying array of styles and mediums. At the Los Angeles Center for Digital Art you could soak up the satirical Bush-bashing photography of Chris Anthony, then wander the few blocks to Infusion to view the Mir� esque modernism of Jenik. At Iron Eye there were street-tough tattoo-inspired canvases by Mister Cartoon, and just downstairs at Kristi Engle were snarky video installations by Joel Huschle. Stumbling across the delicate plein-air landscapes of Star Higgins at M.J. Higgins offered relief from the sensory overload.

While much of the art was aggressive and assured, not all of the galleries were quite so sophisticated. Though there are grand Dames like MOCA and the Museum of Neon Art as well as veterans lik Green and 626 owner Tom Pratt, some owners are learning as they go.

Canvases lean against the walls or flop against chair backs. One gallery ties a curtain across a hallway to create an impromptu lobby; they have no choice, having dedicated their single room to a video installation. Another gallery isn’t quite ready for Art Walk, with owners hanging paintings and arguing over placement as people enter to see what the fuss is all about. In another space, the sole observer and her companion are tapped on the shoulder by the owner. "Look, I have got to go out for a bit, but just sign your name on the guest list if you have any questions," he says with a smile. "And don’t steal anything!"

The rough-around-the-edges art school vibe means that there’s none of the stuffiness you might expect when it comes to art. For those with tight budgets, there’s a chance to see scads of art for free, sans the sales pitch.

The good feelings also extend to the gallery owners. "There’s not the usual sense of competition. I feel like I can call any of the people on the Art Walk and say, ‘Hey, I have a question,’ " says Kristi Engle. Like many on the Art Walk, she is a newbie, having opened her doors in November. "There’s absolutely a sense of community here."

The hard part could be making it last. As with every other part of the city, the more appealing downtown becomes, the higher rents will go, potentially sending gallery owners scrambling for a cheaper digs. "We in the art world are good at that kind of thing," Green jokes. "It’s an oversimplification, but we come into an area, fix it up, and then get kicked out."


Downtown Art Walk

Where: Walk is centered on Spring and Main streets, between 2nd and 9th streets, downtown L.A.

When: Noon to 9 p.m., second Thursday of every month

Price: Free




Founded in Downtown Gallery Row Los Angeles 2004, INRI Studios is located in the epicenter of an exploding progressive arts movement. The space supports the Iron Eye gallery as well as the INRI art collective, which is compromised of painters, web/print designers, screen printers, photographers, writers and fashion designers. The collective’s mission is to produce and provide creative services that support all platforms.

Iron Eye Gallery is housed within the expansive 7,500 sq. ft INRI studios, It’s mission is to expose and expand innate talent to both a national and international audiences comprised of designers, collectors, writers, curators and the entertainment industry. Iron Eye is intent on reflecting our multi-cultural experience by concentrating on creative individuals that are working through all mediums.

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