RIME “DANGER ZONE” at GALERIE WALLWORKS in Paris, France opening April 2, 2015

April 02 2015 . 01:12am

 
“After a two month long residency in Paris, France, I am please to present my second solo show at Galerie Wallworks. Showing over 20 new paintings created in Paris and New York City. Opening reception – Thursday April 2nd, 7-10 pm.

My thought process while creating work for this show –
What a pain in the ass it is to tell the truth. To do what you want while embracing actions in an unapologetic way. At times you question what is off the cuff, and what was meticulously plotted long before you said it. Genuine connection to universal meaning. Honesty. To somehow dazzle and offend all at the same time, as a junky for odd circumstance. You want to believe you’re always on. That you’re this cache of engaging life experience, that is so abundant, so graceful as it’s spilled all over others. Dilemma. Infectious questions are the answer… Running as fast as you can from that fine line between corny and cool. Seasoned storyteller with a dysfunctional sense of humor. 90% proof. You want to believe that you have it all figured out under the flag of always being in the process of figuring it out. Fighting the guilt of sleeping past noon. Commitment to the line. Expecting more than the line of “I like the colors though”.”
-Rime

For catalogue and show information please contact Claude Kunitz at contact@galerie-wallworks.com

Galerie Wallworks
4 rue Martel – 75010 Paris / Show in map
(+33)9 54 30 29 51

For additional information please visit www.wallworks.fr | jerseyjoeart.com

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A Conversation With A Great Friend | A New Mural at the Houston/Bowery Wall

March 09 2012 . 06:45am

New York, NY: March 8, 2012

Iron Eye Art Group and Tony Goldman present “A Conversation With A Great Friend“; a new mural at the Houston/Bowery Wall, New York

Goldman Properties is pleased to present “A Conversation With A Great Friend“, a new mural from internationally-recognized graffiti writer RETNA at the Houston/Bowery wall in New York. This is the seventh project at this iconic site, previously adorned with the paintings of Keith Haring and Os Gemeos, among others.

Known for his distinctive hieroglyphs melding ancient Incan, Egyptian, Arabic, Hebrew and Asian calligraphy wih graffiti, RETNA has created a written language unto himself. These symbols convey meaning with each character, drawn directly from an event or dialogue experienced by the artist. Developed from a conversation with curatorial advisor, Medvin Sobio (as the title suggests, RETNA’s own great friend), this mural exists as an audio visual performance; born from a conversation and transcribed onto a surface. The ideas exchanged between these two friends, and their analogies of existence, activate the visual component of the Houston/Bowery façade.

RETNA himself says, ‘No one likes to let someone use something only to have it come back broken. If we let you use it, utilize it to make it better, but don’t bring it back worse than when you got it. In life, we are all part of a cycle- we all have to be mindful of our responsibilities and take care of the gifts we are given. In the end, we are not the owners of the universe, but custodians doing the rounds…’

RETNA’s unique script reads the following phrases across the wall:

‘All the great ones are conscious of universal truths’
‘Watch the heartbeat in your wrist- a precise pulsing beat of life’s drum- with loss of timing you are ill’
‘The power of the world always works in circles’

Listen to the conversation: http://soundcloud.com/digital-retna/a-conversation-with-a-great-friend

RETNA was born in Los Angeles in 1979. Solo presentations of RETNA’s work have been presented in collaboration with New Image Art Gallery in Los Angeles, Primary Projects and The WAREhouse at the Margulies Collection in Miami, and the Hallelujah World Tour (presented by Andrew Valmorbida and Vladimir Restoin Roitfeld) which traveled to exclusive locations in New York and London. RETNA was included in the 2011 blockbuster exhibition Art In the Streets, presented by director Jeffrey Deitch at the Museum of Contemporary Art, Los Angeles. In May 2011, he was commissioned by the Pasadena Museum of Art to paint its façade in its entirety. A month later, he was commissioned by private jet mogul Thomas Flohr to paint a Bombadier Global Express VistaJet, as part of his active fleet. RETNA lives and works in Los Angeles.

goldmanproperties.com / digitalretna.commidcity-arts.com

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Chad Muska | 01.08.2011

January 07 2011 . 05:44am

 

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www.graffitijailbreak.org

July 24 2009 . 07:25pm

Graffiti is a crime. It is also a powerful form of communication and activism and one of the few truly American art forms, brought-up in the streets of New York City and Philadelphia. These days, graffiti has become a part of mainstream culture, from the MoMA to MTV. Graffiti writers, and those who have been inspired by graffiti, hold down good jobs in creative industries like the arts and advertising, fashion, design, education and almost every other walk of life. From clothing labels and street life-style brands to artists like Banksy and Swoon, it’s undeniable that graffiti has made a valuable and accepted economic and cultural impact in our contemporary lives. Then why are graffiti writers currently facing jail terms in NYC for up to seven years for writing their names on walls, when most of their art could be cleaned up with a fresh coat of paint? Vandalism should not be legal, but graffiti artists should not be in prison, at the cost of millions of dollars per year to the taxpayers of New York, when they could otherwise could make a valuable contribution to society. The punishment does not fit the crime. Furthermore, the NYPD and New York City politicians target minorities and individuals from low-income families in order to meet vandalism conviction quotas and create quality-of-life distractions. By bailing-out a graffiti writer and helping them find a network of legal support you enable them to better understand their rights and build a fair legal defense. Do you like graffiti and street art in NYC? Are you a writer who has made a few dimes and wants to give back? Are you a company that has profited from styles that originated in the street? Do you want to support the creative arts or a fair legal justice system? If the answer is "YES", please give us your support and send the criminal justice system a message. Together we can bail out every graffiti writer in NYC.

 

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