New installation piece from HENSE at the High Museum of Art

August 23 2013 . 04:14am

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Michael Rooks, the Wieland Family Curator of Modern & Contemporary Art at the High speaks with HENSE about “Wall Drawing No. 1” which he created specifically for the new exhibition “Drawing Inside the Perimeter” — on view at the High through September 22, 2013.

Wall Drawing 1

2013

Site-specific installation 

Acrylic on wall

Commissioned by the High Museum of Art

Wieland Family Curator of Modern and Contemporary Art

Find out more at: hensethename.com

 

 

 

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MAXWELL COLETTE GALLERY | HENSE: New Paintings opens June 15, 2013

June 01 2013 . 09:02am

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HENSE: New Paintings

June 15, 2013 – July 20, 2013

Opening Reception: Saturday, June 15, from 6pm – 10pm.

Maxwell Colette Gallery is pleased to announce its next exhibition featuring public artist Alex HENSE Brewer. HENSE: New Paintings will debut a body of large-scale paintings on wood and smaller works on canvas from the internationally lauded muralist. The gallery will host an opening reception for the artist on Saturday, June 15 from 6pm – 10pm.

HENSE’s work is fluid and playful. It is a delicate interplay of geometric shapes, organic forms, abstract lines and frenetic squiggles executed in a furious effusion of saturated pastel hues. His massive, free-form paintings and epic public mural installations are not what you would expect from someone with HENSE’s Graffiti pedigree. His work is a natural extension of the radical visual legacy of Abstract Expressionism, but it is imbued with a palette purloined from some tropical paradise and a swagger that places it firmly in the current Post-Street Art age. HENSE says he is “combining the language and techniques of graffiti art with the formal language of painting in [the] studio.” and that his paintings “are invigorated by the quick pace and commentary of street culture.”

Alex HENSE Brewer’s nearly two decades working in the realm of public art grants and commissions has produced exterior works across the U.S, and abroad in Spain, France, Japan, Taiwan, Peru and Mexico. In April 2013 he completed a massive commissioned wall in the heart of Lima, Peru. In the fall of 2012 he garnered national attention for his treatment of the entire exterior of a historic church in Washington, D.C.. His work is held in numerous collections including The High Museum of Art in Atlanta. Complete information about HENSE may be found on hensethename.com.

Maxwell Colette Gallery
908 N. Ashland Ave
Chicago, IL 60622
312 496 3153
gallery@maxwellcolette.com

Find out more at: hensethename.com / maxwellcolette.com

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HENSE in Lima, Peru 2013

April 29 2013 . 09:55pm

 

We just finished up a large exterior installation in Lima, Peru. This is my tallest work to date measuring 137 feet tall and 170 feet wide. The project was organized by Morbo Gallery and funded by the ISIL Institute in MiraFlores, Lima. I worked with my head assistant and a crew of 10 professional painters over the course of a month to complete the work.

With all my exterior projects, I rarely use a preconceived sketch or concept to go off of. In this case, I presented a few rough concepts to the school to express my vision for the building. However, I always like to leave some room for creative freedom and spontaneity while working. This project was challenging because of the scale. Every shape and mark that we made on the wall had to be massive to be seen from a great distance. I also wanted to leave smaller,  details that would be seen by viewers close to the work. In this case most of my painting crew were local to Lima and spoke little to no English and I speak very little Spanish so it was challenging to communicate with them in the beginning of the project. After a month of working everyday with them we managed to be able to understand each other. I´m very grateful for that experience and I learned a lot from them and hope that they were inspired in some way by assisting in the process of the artwork.

We used over 200 gallons of exterior latex paint and a small amount of aerosol on this work. Most of the tools we used were rollers of various sizes, a paint sprayer, brushes, and homemade tools. One thing I feel is important when working on this scale is the improvisational use of tools to create the marks and shapes. In order to reach heights and lengths I had to attach brushes to extension poles to paint in hard to reach areas. We used strings and ropes to create circles and lines that needed to be accurate. However, most gestures and shapes were created freehand. I always push to keep a loose, painterly feel at a large scale. All my work is purely abstract and non representational.

These works are inspired by the architecture and context of the structure. In this case I wanted to use very bright colors that would pop against the sky and next to other near by architecture in Lima. This piece has many layers in it. some of which we covered completely. It’s important to me that the work has a very layered and built up look. I’m never afraid to destroy the image at any given time if it means I have to in order to achieve progression in the work.

I’m always wanting to challenge myself and the viewer in regards to painting and what that can be.

Photo Credits: Christian Rinke, Os Villavicencio, Gino Moreno, Jules Bay, Elard Robles and HENSE.

Special thanks to: Jules Bay, Taylor Means, Morbo Gallery, ISIL Institute, Luar Zeid, Panorama, Angel, Paul, Pedro, Alex, Miguel, Jaime, Mayo, William, Christian Rinke, Gino Moreno, Os Villavicencio, Carlos Benvenuto, Candice House, Elard Robles. For all the hard work and making this project come to fruition.

Find out more at: HenseTheName.com

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HENSE | Private commission in Washington, DC

October 30 2012 . 07:03pm

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Private commission
Aerosol and Latex house paint on historic building, 2012
Washington, DC

Photos: Miguel “M.i.G” Martinez

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HENSE – SPRAY | September 14 – October 20, 2012

August 31 2012 . 09:35pm

Find out more at: hensethename.com / sandlerhudson.com

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