January, 2013

Otis College of Art and Design’s Ben Maltz Gallery Presents: Bridging Homeboy Industries: Fabian Debora, Alex Kizu and Juan Carlos Muñoz Hernandez

January 15 2013 . 04:04am

Otis College of Art and Design’s Ben Maltz Gallery Presents:
Bridging Homeboy Industries: Fabian Debora, Alex Kizu, and Juan Carlos Muñoz Hernandez
A group exhibition of three dynamic artists who share roots in Homeboy Industries

LOS ANGELES, CA – October, 2012 – The Ben Maltz Gallery continues to present new work by
artists in the SoCal region with the three-person exhibition Bridging Homeboy Industries: Fabian
Debora, Alex Kizu, and Juan Carlos Muñoz Hernandez on view January 2 – March 23, 2013. Guest
Curator: Annie Buckley (MFA 2003). Reception: Saturday, January 26, 4pm-6pm

Bridging Homeboy Industries features the work of Fabian Debora, Alex Kizu, and Juan Carlos
Muñoz Hernandez, three working artists who share roots in the East L.A. neighborhood of Boyle
Heights, a close-knit community beset by poverty and violence. Though their paths and practices are
unique, each has benefited from the services of Homeboy Industries, the largest gang intervention
program in the nation. Founded as a jobs program by Father Gregory Boyle in 1992, Homeboy
Industries continues to thrive as a network of successful businesses supported and run by former gang
members. Two decades on, Debora, Kizu, and Muñoz Hernandez all count Father Boyle—or G, as he
is fondly referred to by many—as a mentor, supporter, and friend. He is the person who saw in them
the artists they would become and who fostered a sense of hope and possibility for them during times
when these were scarce. This encouragement, combined with their own relentless passion for art, fed
their development as artists.

“During what G [Father Greg Boyle] calls the ‘decade of death’, I got into a lot of trouble, but Father
Greg, no matter what I did, was always encouraging me to do my art. … I felt hopeless, but G would
hire us to do murals and artwork, and now I realize that those acts of faith helped me to overcome
many of the obstacles that I faced as a youth.” —Alex Kizu

Fabian Debora, who is now a staff-member at Homeboy Industries, makes compellingly honest
paintings influenced by Chicano and contemporary representational art. Alex Kizu’s color-infused
canvases feature variations on the highly complex and ornate graffiti lettering he learned as a boy from
local street artists and knowledge gained as a recent graduate of the Art Department of California State
University, Northridge (CSUN). Juan Carlos Muñoz Hernandez’s bronze sculptures and spray paint
and marker paintings fuse graffiti with diagrammatic architectural drawings and grow out of an 18-
year apprenticeship with the sculptor Robert Graham and a background in street art. This exhibition
includes several works by each artist and a new, large-scale collaborative mural.

This exhibition is organized by the Ben Maltz Gallery at Otis College of Art and Design with Guest
Curator Annie Buckley. Buckley (Otis MFA ’03) is an interdisciplinary artist, author, art critic, and
Assistant Professor of Visual Studies at California State University, San Bernardino. She thanks OTIS
Ben Maltz Gallery, Homeboy Industries, and Alice Buckley for their support in the presentation of this
exhibition.

Exhibition Programs:
Public Reception: Saturday, January 26, 2013, 4pm-6pm, Free with live music by Incendio
Conversation: Saturday, February 9, 2013, 11am-12pm, Free
Stories and conversation with Father Gregory Boyle, Founder of Homeboy Industries, Homegirl Café,
and author of the award winning book Tattoos on the Heart (2010).

Bus Tour: Saturday, February 23, 9am-4pm, $25
Exhibition curator and artists lead a tour of Homeboy Industries with brunch at Homegirl Café, and
present and discuss two significant murals created by the artists in the neighborhood. Contact Otis
Continuing Education to register: otisce@otis.edu or (310) 665-6850.

Gallery Tour: Saturday, March 2, 11am-12pm, Free Gallery walk-through with curator and artists

Location: Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045
Parking & Admission: Free.Visitor parking in structure on La Tijera.
Hours: Tue-Sat 10am-5pm / Thu 10am-7pm. Closed Sundays & Mondays
Gallery Tours: 310.665.6909 to schedule tours for school, museum or other groups
Gallery Info: 310.665.6905, galleryinfo@otis.edu, www.otis.edu/benmaltzgallery

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Ernest Holzman preview pics

January 12 2013 . 10:47pm


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TRAV, EWOK, PERSUE and KEM5 in San Diego, California

January 12 2013 . 10:46pm


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AUGUSTINE KOFIE | Select Exhibition Works: 2001-2012 book available now

January 12 2013 . 10:45pm


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Available at: keepdrafting.com

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ERNEST HOLZMAN | L.A. Backstory at Known Gallery opens January 12, 2013

January 07 2013 . 11:39pm


ERNEST HOLZMAN | L.A. BACKSTORY
Opening reception: January 12, 2013 | 8-11pm
Show runs: January 12 – 26, 2013

Known Gallery / Main Room
441 North Fairfax Avenue
Los Angeles, CA 90036
info@knowngallery.com

Everyone has a BACKSTORY.

In February 2012, I was two months from having a PET scan as part of my ongoing treatment for non-Hodgkin lymphoma. This particular scan was significant because it would indicate if the chemotherapy had worked or if I needed more medicine…possibly even a bone marrow transplant. I suddenly had a serious passion to do some work.

I wanted to feel like a teenager again when I felt completely invulnerable. And I wanted to have an adventure.

So I decided to photograph a nude woman on the streets of Los Angeles. Without permits. Guerrilla style.

We went to special locations I had come to love over the years and made pictures when the light was right. A 60-year-old photographer and a 60-year-old 4×5 view camera which only captured one film image at a time.

I shot Carly mostly from the back and watched her as she looked ahead…perhaps seeing into the future.

This is the genesis of the work on these walls.

L.A. Backstory.

About ERNEST HOLZMAN

In 1974 I graduated from New York University where I studied music and photography. I played drums in jazz and rock groups and sold photographs to the Black Star Agency.

I enrolled at the American Film Institute in 1978 and was granted an internship with cinematographer Jordan Cronenweth on the film “Cutter’s Way”.

Jordan and I became friends and he invited me to work on his next project which was “Blade Runner”. I spent the next few years working with him and learning about light.

Eventually I began photographing television commercials and in 1989 I was offered my first dramatic work on “thirtysomething”.
For the next twenty-five years I continued working in advertising and television drama including the iconic “My So-Called Life”.

In 2001, I was honored by the American Society of Cinematographers for my work on the PBS/Masterpiece Theatre drama “Cora Unashamed”.

My wife Terry Anne and I are currently writing screenplays together. Comedies.

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