February, 2011

CLARE ROJAS at PRISM Gallery, Los Angeles | 02.26.11

February 18 2011 . 11:26am

PRISM is pleased to present Inside Bleak, a new solo exhibition of San Francisco-based artist Clare Rojas that opens Saturday, February 26, 2011. Transforming the PRISM space, the exhibition features what Rojas calls domestic abstract interiors, the newest installment of her ongoing investigation of domesticity through a wide range of media, including painting, installation, and video. Her works – which share the guileless, homespun aesthetic that reveals Rojas’ origins in print-making, folklore – are nested within a larger site-specific installation that also serves as the stage for a set of videos and a performance by Peggy Honeywell.

Since 2000, Rojas has since participated in over 40 international exhibitions and several film festivals. Originally from Columbus, Ohio, Rojas earned her Bachelor of Fine Arts in printmaking at the Rhode Island School of Design and her Master’s degree from the Art Institute of Chicago before landing finally in San Francisco. Rojas has received numerous accolades for her work, including the prestigious Tournasol Award and grants from the Louis Comfort Tiffany Foundation and Joan Mitchell Foundation. She has had solo exhibitions at Deitch Projects in New York City, the Rose Art Museum at Brandeis University in Massachusetts, Museo de Arte Contemporáneo de Castilla y León in Spain, Museum Het Doemien in the Netherlands and various international group exhibitions. In 2010 an exhibition of her work titled We They, We They traveled from the Ikon Gallery in Birmingham, UK to the Museum of Craft and Folk Art in San Francisco. Inside Bleak is her first solo exhibition at PRISM.

For more info: PRISMLA.com

+ Share this post

Patrick Martinez “HUSTLEMANIA” Studio Visit | Hypebeast

February 17 2011 . 11:39pm

In anticipation of his forthcoming HUSTLEMANIA exhibition next month, Brandon Shigeta took a trip to artist Patrick Martinez’s studio to check in on some of his latest work. A strong aspect of pop culture runs through much of the work as it references a lot of brands and its effect on our current societal landscape. An opening reception is set to take place on March 19, at the Known Gallery.

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
United States

Hypebeast.com

+ Share this post

Exclusive new KEEGAN GIBBS tee available now

February 17 2011 . 11:27pm

+ Share this post

Fight Club | Danielle Levitt’s Pride of Lowell in NY Times

February 17 2011 . 11:10pm

The photographer Danielle Levitt has an eye for disaffected youth. Her 2008 monograph “We Are Experienced” compiled more than 100 portraits of American teenagers taken over several years as Levitt hopscotched across the country shooting features and fashion editorials for Interview, Arena Homme Plus and The New York Times Magazine, among many others. Levitt began her career shooting a street style column for The Wall Street Journal, a natural window onto the downtown scene, and her work has evolved to include “werewolves” in Texas for Dazed & Confused and sissy bouncers for Arena Homme Plus. This fall, she was sent to Lowell, Mass., to shoot Mickey Ward and Dicky Eklund, the real-life characters behind David O. Russell’s Oscar-nominated film “The Fighter”; the magazine assignment turned into a new series of portraits and a collection of short films. “Pride of Lowell,” curated by Naheed Simjee, will opened on Wednesday at Los Angeles’s Known Gallery. T caught up with Levitt via e-mail to talk about the show.

Q.

What did you find in the people of Lowell that engaged your curiosity/affection?

A.

It’s a town with incredible perseverance, a wonderful strength of spirit, focused desire to overcome adversity, but it also shows fragility of the human spirit, and how quickly one can lose themselves if they don’t remain focused.

There is plainly a deeper, richer narrative in these images and characters’ lives — something bigger about America, about drugs and employment and the culture of the former factory town. How conscious of that story were you when you were taking these photographs?
Typically when I am drawn to a subject, there are broader cultural implications that exist beyond my initial interest, but I am not driven consciously by that larger story, but instead by the story at hand. It is powerful when the localized story reaches beyond its immediate region.

You really do get to know the people you photograph. Is it a case of needing to love your subjects?
I have a great affinity and respect for most of my subjects, and this enables me to connect intimately with them.

How does this series connect with your studies of teenagers, werewolves and sissy bouncers?
They all share a sense of community. no matter how unusual your interest in activities may be, these people have found like-minded souls in their respective communities.

Where does your eye for the fringe come from?
While my interest in culture is not limited to the fringe, there is a certain attraction or appeal that I feel toward members of society who have been marginalized for one reason or another.

You seem to be adding a new dimension to your work with the video. How does that fit in to your still work? What are the advantages of the moving image?
The videos provide another dimension to the portraiture as there are aspects to a character/subject that are only understood in a moving image. The still photographs are a distillation of my entire experience and understanding of my subject.

So … did you know anything about boxing or this culture before you went to Lowell?
Not more than anyone else. It brings me great pleasure to learn while immersed in a scene.

I imagine the Hollywood version is very valuable to the people fictionalized therein — there is serious mythmaking that is central to our national character going on there. But there is something else, something unique, in these pieces. How do you think these add to “The Fighter”?
My photographs provide an opportunity to meet the real people behind the story. Who knew Dicky Eklund was such a great dancer?

Find out more at: nytimes.com

+ Share this post

Artist Driven with POSE and SEVER | Atlanta, GA

February 14 2011 . 05:32pm


This month as part of the ‘ARTIST DRIVEN SERIES’, Pose & Sever hit up Atlanta, GA for this burner. Check out the 5th installment of our co-op wall project.

Click photo for large format view

Find out more at: l-r-g.com / wearesupervision.blogspot.com / thelossprevention.blogspot.com

+ Share this post