June 27 2017 . 12:00am


Catalog available at: TRAV | Sign of the Times

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2017 The Seventh Letter x Throne Cycles TRKLRD

June 15 2017 . 09:58pm

We created an exclusive limited run of the TRKLRD complete build in collaboration with The Seventh Letter. Only 100 of these complete bikes have been produced with the help of The Seventh Letter art team. A one-of-a-kind stealth matte with gloss black paint scheme, paying attention to detail we added a custom gold plated head-badge with subtle gold hits on the frame. Run the streets and Rule the track! #RiskTakers #TWFSLxTHRONE

Frame: TRKLRD Alloy 6061
Fork: 1 1/8″ Carbon Alloy Fork
Headset: 1 1/8″ Throne Sealed Bearing
Seat Post: 12K Carbon Aero Seatpost
Handle bars: 550mm Alloy Riser
Chainring Crank: Throne Alloy 48T
Bottom Bracket: Sealed Bearings 68mm
Wheels: Novatec 20F / 28R / Bladed Spokes
Hubs: Novatec A186SBT Track Hubs
Tires: Kenda 23c
Brakes: Front Radius Forged Alloy
Pedals: Wellgo M195

Sizes available:
49cm, 52cm, 55cm, 58cm

Find out more at:

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Known Gallery x The Seventh Letter x Art Heist at Complexcon captured by Brandon Shigeta

May 16 2017 . 04:34am

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KEMS Vision Quest

March 21 2017 . 01:29am

Vision Quest is the first instalment of an ongoing collaborative video series by American graffiti writer KEMS (@allchrome) and Los Angeles based photographer Kingston (@kingstonphoto). The series documents the search and activation of wasted spaces.

In the search for abandoned spots to explore and paint, KEMS discovered abandoned lines of trains out in the desert. Loading up with a stack of Lak Chrome spray paint and a large a-frame ladder, he trekked through the arid landscape to find a discontinued double-decker passenger train – potentially from the 60s or 70s. While the dates are uncertain, in tracing the history of the cars, they were used to convey people from Mexico to San Diego – at one point, this model was used in Chicago.

These adventures brought back the sense of discovery that graffiti originally gave him. In reflection, KEMS says that it seems people were at these locations one day and gone the next. Leaving him to question – “why did people abandon this place?”

Photos from these lurks will be featured in an upcoming zine and accompanied by a special edition Reload by Ironlak spray can. More details to be announced.


Ironlak available at:

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Juan Luna-Avin and Jason Jagel at Royal Nonesuch Gallery

February 27 2017 . 08:23pm


All new works / painting / sculpture / video / audio
Saturday March 18th / Continuous Festival / 2-10pm

Royal Nonesuch Gallery
4231 Telegraph Ave
Oakland, CA 94609

Artist Bios
Jason Jägel was born in 1971 in Boston, Massachusetts. He received degrees from California College of Arts and Crafts (BFA, 1995) and Stanford University (MFA, 2002). A monograph of his work entitled, Seventy-Three Funshine (2008), was created with an accompanying ten-inch vinyl record with music by Madlib and published by Electric Works, San Francisco. Jägel has been featured in numerous solo and group shows since 1995 including those in New York, Tokyo, Copenhagen, Milan, Barcelona, Los Angeles, Seattle, New Orleans and more. Jagel’s work appears in the collections of The Museum of Modern Art, The San Francisco Museum of Modern Art, The UCLA Hammer Museum, and the Portland Museum of Art, among others. Jason lives with his wife and two daughters in San Francisco.

Born in Mexico City, Juan Luna-Avin is a multi-disciplinary artist whose work explores mythology, memory, and history. The work reflects influences that range from abstract expressionism to comic book aesthetics, especially the use of crude drawing techniques and arbitrary compositions. He has exhibited at such venues as the San Francisco Museum of Modern Art, Yerba Buena Center for the Arts, Southern Exposure, Queen’s Nails Projects, San Jose Institute of Contemporary Art, Casa del Lago (Mexico City), and Ceroinspiracion (Quito, Ecuador). Since 2004, he has been a member of Club Unicornio, a San Francisco-based collective of artists-DJs who play underground, kitschy, and experimental music from Latin America. He holds an MFA in Art Practice from Stanford University and a BFA in Painting from the San Francisco Art Institute, where he was an Osher Scholar. Awards include a Suzanne Baruch Lewis MFA Grant (2010) and a McNamara Family Creative Arts Grant from the Hispanic Scholarship Fund (2009). He is currently a Senior Lecturer in the Visual and Public Art department at California State University, Monterey Bay.

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